Bricks in Motion
We are a friendly filmmaking community devoted to the art of stop-motion animation using LEGO® and similar construction toys. Here, you can share your work, join our community of other brickfilmers, and participate in periodic animation contests!
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"Never Fear, Fair Maiden; I Shall Save You!" [THAC 11]
Just Kidden's latest epic.
Last edited by Max Butcher (December 29, 2013 (03:23pm))
Ah that ending cracked me up!
Brilliant! Extremely well-written!
I loved it.
Very funny
especially the fourth wall joke
That was wonderful, Max. I could not stop laughing.
One of my favorite THAC entries. Nice job!
really proud of my handiwork here
The end section was particularly exquisite - the breakage of the fourth wall really was perfect. The credits were great too.
I had a little giggle
The ending was just brilliant. I loved the way this went.
The animation could use a little bit or work, though, the bodies just seem all flop around like crazy all the time, which is a little bit maddening. But it's still great.
I'm so glad that you have a better mic and now we can hear you voice the entire cast of a film and have your voice be captured more in its full beauty. Makes me want to ask you to act in something. I can't even think of a good thing right now. Now I want to create a character in a film just so that you can voice it.
The animation could use a little bit or work, though, the bodies just seem all flop around like crazy all the time, which is a little bit maddening. But it's still great.
Yeah, I hate animating dialogue (which is infuriatingly ironic). I just run out of things to do with the characters arms...
Yeah animating dialogue can be a drag!
Still this was a fun watch. Your voice work is always enjoyable. 
Squid wrote:The animation could use a little bit or work, though, the bodies just seem all flop around like crazy all the time, which is a little bit maddening. But it's still great.
Yeah, I hate animating dialogue (which is infuriatingly ironic). I just run out of things to do with the characters arms...
The trick is to move them more subtly with smaller slower movements and lost of easing. But for lines said with more emotion you shouldn't hold back as much. Just let them go everywhere.
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