Wow. Not only is everyone's feedback fair, its also really detailed and helpful. Thanks so much guys, and please keep it coming. I want to make this series as good as it possibly can be.
Harborlight Productions wrote:I question the language in this movie. It wasn't very necessary and didn't really fit the setting.
Which langauge? The very, very mild cuss words (its fair enough if your offended, although I only count two of them - 'bloody', which you find in kids films, and 'shove it up your AARRRGGHH' which is heavily masked) Or the fact that the dialogue is fairly modern, and not like Tolkein's psuedo-Shakespearean writing?
backyardlegos wrote:The problem is the delivery. I hardly found myself laughing at any of the jokes, but a few seconds after hearing each one...I think here it would have been wiser to get some other people to do voices for you. I know there are some capable voice actors here who would have been willing to help.
I'll definitely look into this. I've always been distrustful of using other people (unless its for feedback and criticism)...and this distrust has always been a bit unjustified.
The problem is that this part had over 100 lines of dialogue in it. I could and should have assigned minor characters such as the Halberd-Shopper, the Merchant, and the Capitol-Gate Guard to other people - but I have no choice really but to play all four major characters (John, Whitebeard, Wormface, and The King) myself or else this'll never get made. Even with the thing split into parts, and with part 2 shaping up to be slightly shorter, asking someone to record about 40 lines at once is way too much.
togfox wrote:The youtube says the next part is due in August so not sure how feedback on part 1 will help part 2
It's helped a lot. I've almost finished a first draft of part 2 - but the great thing about writing is that it can easily be re-written.
Animation wise, that whole head bopping about when talking was a little too exagerated for me. Keen to see what others think. I was watching one of them talk and i was feeling dizzy trying to track him lean back and forth.
Right. I've always run out of ideas when it comes to animating dialogue. I'm trying to be more inventive with the next part. Whilst there will always be points when characters have to stand face-to-face and produce rhetoric, I'm trying to do stuff like have characters talk whilst walking and performing other activities to liven things up a bit. I'll also try to reduce bobbing.
SlothPaladin wrote:It was pretty enjoyable but I feel like it could have been edited down quite a bit as some of the dialog dragged in places, some of the crude humor was funny, some of it fell a little flat.
A lot of dialogue was already cut, but evidently I didn't cut enough. I'll try to make it more to the point next time.
It also would have been nice if you had add a back light to the characters on the green screen, you were getting some really bad green bleed around the edges.
Um...I didn't use a greenscreen. I've never used a greenscreen. Where precisely did you see bleeding?
Spoiler (click to read)
I really wanted the wizard to pop in and say 'I'm a mother !@#$%^& WIZARD!' but I can understand why you didn't use language like that, but I think it would have been a lot funnier.
Alas! It's very difficult to find out just how old the people who watch my stuff are - but for now I'm trying to keep this a family show. Although, I'm completely ripping off The Hitchhikers Guide To The Galaxy and the Thief videogames by putting in fictional cuss words that are obviously censoring much stronger language.
something like this might be a good idea to story board out so you can edit the film down to a quicker more entertaining pace so you don't waste time on animation you just cut out.
I might try that. I can't draw (that's why I animate with LEGO) but I could always do stick-figures. I'm making an effort to at least script actions more - as before my scripts would just be a dry list of all the dialogue.
FlyingMinifig wrote:Also, there's quite a lot of flickering (especially in John's blacksmith shop, with the reflective surfaces).
I only found out how many times the set 'caught my best side' when I played it back. I would have re-shot all of it, but I was being driven mad by animating nothing but dialogue in such a small set (this is the only time I've dismalted a set by throwing it on the floor) that I decided I would try and fix it in post...to no avail.
And I find it odd that a king who is addressed as "Your Grace" is in charge of an empire...
Oh...ELF!
(Also I had no idea Kevin MacLeod composed the Egmont Overture. This guy is totally going to be the next Beethoven...)
I know! I couldn't believe it myself - but I guess he's just that much of a genius...
Last edited by Max Butcher (July 10, 2014 (03:22pm))